online submissions via
We no longer accept paper submissions. General submissions will close during the month of January,
but Lamar York Prize submissions will be open during that time.
Otherwise, we read year-round.
Call for Submissions: Off the Record. Disappearing remarks. Invisible people. Music that isnít there. Intuition. Gut. Unclaimed, unofficial, uncategorized. A record respects the broadest possible audience. Off the record,
your audience awaits. What you donít want to write. We want to read. Note the call in a cover letter. Deadline September 15 or until the issue fills.
Since we acquire first North American rights, submissions
should be works previously unpublished in North America. We
appreciate a short cover letter with a concise bio that
could be used should we publish the work. Please inform us
of a simultaneous submission and withdraw your work
immediately if it is accepted elsewhere. Please do not mail
or email submissions. To be fair to all submitters, these
will be returned unread. Need to withdraw a poem or part of
a poetry submission? Please open your submission within
Submittable and "add a note" indicating the poem or
poems you'd like to withdraw. We will see your note and
gladly consider the available poems. Need to withdraw another genre?
Please do so via
Questions? Email us at
Familiarity with our journal is the best way to know
whether or not work is right for us. Please consider
an issue before submitting. Submissions receive at least two votes each, and our response time varies from one to four months, longer only in special circumstances.
Submit only your very best work with our assurance it will
be given every consideration.
publishes original literary fiction characterized by
interest in language, development of distinctive settings,
compelling conflict, and complex, unique characters. Submit one story or
up to three short-shorts (500-1,000 words each).
TCR publishes excellent poetry of all types,
including informal personal narratives, prose poems, and
TCR publishes distinctive topical essays and
personal creative nonfiction of any kind; this includes
pieces that might fit into the memoir, travel, and
historical nonfiction categories. We are not an academic
journal and publish for a general readership. Above all,
we are interested in publishing nonfiction that
surprises and intrigues us. Submit one essay or
up to three shorter essays (500-1,000 words each).
TCR publishes interviews with writers of all kinds: literary, academic, journalistic, and popular.
Interviews have featured Kwame Dawes, Tony Grooms, Wells Tower, Larry Brown, Claude Wilkinson, Ferreira Gullar, and Kunal Basu.
Please query us at
email@example.com with a proposal for a particular interview.
TCR publishes reviews of current fiction, poetry, and nonfiction books, especially those from writers with an innovative approach to subject matter. Several related works may be reviewed at more length in a review essay that engages critical issues not appropriate to a single review. We are always in search of new reviewers. Please query us
at firstname.lastname@example.org about the possibility of a particular review or review essay, specifying your credentials for the review.
REVIEWS AND REVIEW ESSAYS
TCR welcomes English translations of all genres from other languages, in which
case brief biographies of the authors and translators should be included. Translators must have permission from the authors before submitting.
TCR accepts visual art submissions, photography included, by invitation only.
All contributors receive two copies.